項(xiàng)目地點(diǎn) |  中國杭州

項(xiàng)目面積 | 260㎡

設(shè)計(jì)時(shí)間 |  2020.5

設(shè)計(jì)機(jī)構(gòu) | DNA邸內(nèi)設(shè)計(jì)

主案設(shè)計(jì) |  夏偉

軟裝設(shè)計(jì) |  sasa

空間攝影 |  川河映像

主要材料 |  瓷磚、實(shí)木多層地板、巖板、萊姆石、護(hù)墻板

該項(xiàng)目位于杭州市小和山片區(qū)住宅，其擁有眼前一亮的建筑外立面以及翠綠的自然風(fēng)光；杭州裝修設(shè)計(jì)思考過程中我們捕捉了外界環(huán)境的要素，并以此為切入點(diǎn)，進(jìn)行由外向內(nèi)的感官滲透。

Located in Xiaohe Mountain Distrct of Hangzhou, the project has a bright facade and green natural scenery. In the process of design thinking, we capture the elements of the external environment and use this as a breakthrough point to carry out sensory infiltration from the outside to the inside. 

角落玻璃罩面的運(yùn)用靈感，來自卡洛 · 斯卡帕設(shè)計(jì)的卡諾瓦雕塑博物館，在側(cè)向鑿開一道口將光引入空間，照在精美的風(fēng)水件，同時(shí)狹小的閱讀室和客廳之間產(chǎn)生了視線聯(lián)系。

Inspired by the Kanova Sculpture Museum by Carlo Scarpa, the glass facades in the corner are cut in the side to bring light into the space, shining on the delicate feng shui pieces, while creating a visual connection between the small reading room and the living room.

透過搖曳的垂簾，隱約看見外部翠綠的山景。

Through the swaying curtains, you can vaguely see the verdant mountain scenery outside.

墻面采用單一的萊姆石材質(zhì)，通過對其自然拋光、酸洗腐蝕等不同處理手段，呈現(xiàn)出多變的輪廓構(gòu)線、粗礪的觸感、平和的色彩感官，也是對外部環(huán)境的高度響應(yīng)。

The walls are made by limestones. Through different treatment methods, such as natural polishing, pickling and etching, to present a variety of contours, a rough touch and a calm sense of color, which is also highly responsive to the external environment.

空間中央的結(jié)構(gòu)柱同樣使用萊姆石裝點(diǎn)，給予空間適度的停頓與緩和。

The structural column in the center of the space is also decorated with limestones, giving the space a moderate pause and relaxation.

寬敞的餐廚空間設(shè)有中、西廚分區(qū)，以滿足不同場景下的使用需求。

The spacious dining and kitchen space is equipped with Chinese and Western kitchen partitions to meet the needs of different scenarios.

將北側(cè)書房的墻體打開引入光線，消除長過道帶來的幽閉感，杭州裝修設(shè)計(jì)同時(shí)墻面深淺對比的材質(zhì)清晰地劃分出動(dòng)靜分區(qū)。

The wall of the study room on the north side is opened to introduce light to eliminate the claustrophobic feeling brought by the long aisle. At the same time, the contrasting material of the wall depth clearly divides the dynamic and static partitions.