撰    文：康國(guó)強(qiáng)(kevin)

設(shè)計(jì)時(shí)間：2019年02月

完成時(shí)間：2020年11月

飯店面積：22000㎡

在很久很久以前，造物主將深圳觀瀾，以美麗的湖水形態(tài)呈現(xiàn)。日轉(zhuǎn)星移，時(shí)過(guò)境遷、這里將呈現(xiàn)一個(gè)以水為主題的文化輕奢酒店。這是對(duì)業(yè)主“海拓”的呼應(yīng)，也是讓客人對(duì)過(guò)去與未來(lái)、懷念與向往有一份情感的鏈接，為每個(gè)眷戀自然與文藝馨香的人們，提供一個(gè)入住酒店的理由。

A long time ago, the creator created Guanlan in Shenzhen in the form of beautiful lake water. As time goes by, a water themed Cultural Luxury Hotel will be presented here. Our client Haituo hopes to provide guests with an emotional link to the past and the future, nostalgia and yearning, and to provide a reason for everyone who loves nature and the fragrance of literature and art to stay in the hotel.

酒店空間描述遵循圓為動(dòng)，方為靜的傳統(tǒng)哲學(xué)觀念?？臻g環(huán)境追求“天人合一” 的境界，所有玲瓏剔透的巧思，巧奪天工的設(shè)計(jì)，都是為了人與環(huán)境的完美結(jié)合，讓客人在藝術(shù)審美中感受生活的寧謐，遠(yuǎn)離喧囂擁擠，在這里放空自己，無(wú)限享受和諧的美好。酒店以水為主題，水的意境，水影、水滴、水泡、波瀾起伏的水浪背景與客人形成內(nèi)心深處情感的連結(jié)。用色方面，遵循傳統(tǒng)五行文化的“黑為水”邏輯，拒絕膚淺的裝飾手法，不迎合潮流和趨勢(shì)。通過(guò)主要材料：爵士白石材、皇家啡石材、古銅板、古銅拉絲、水晶、演譯一場(chǎng)“水”的故事。

The hotel space follows the traditional philosophy that circle is dynamic and square is static. The space environment pursues the realm of "harmony between man and nature". All the exquisite and ingenious designs are for the perfect combination of man and environment, so that the guests can feel the tranquility of life in the artistic aesthetics, stay away from the hustle and bustle, empty themselves here, and enjoy the harmonious beauty infinitely. The theme of the hotel is water. The artistic conception of water, the background of water shadow, water drop, water bubble and undulating waves form a deep emotional connection with the guests. The theme of the hotel is water. The artistic conception of water, the background of water shadows, water droplets, blisters, and undulating water waves form a deep emotional connection with the guests. In terms of color, it follows the logic of "black is water" in the traditional five elements culture, refuses superficial decoration and does not cater to the trend. Through the main materials of Jazz white stone, royal brown stone, ancient copper plate, ancient copper wire drawing, crystal, designers created a water story. 

酒店大堂就像一篇優(yōu)秀文章的一個(gè)強(qiáng)有力的開(kāi)端，以熱情而優(yōu)雅的方式歡迎每位客人的到來(lái)，并且開(kāi)門見(jiàn)山直入主題，將酒店的水主題向每位客人緩緩展開(kāi)。酒店設(shè)計(jì)象征著波瀾起伏水浪的墻面，水浪形狀的服務(wù)臺(tái)，以水泡形式呈現(xiàn)的大堂吧天花，象征雨點(diǎn)的大堂水晶藝術(shù)吊燈、水滴形態(tài)的沙發(fā)、水漣漪的大堂吧家具、水岸邊的鵝卵石、倒影……把酒店的水主題意境演譯得生動(dòng)有趣、惟妙惟肖。酒店的空間路徑都預(yù)設(shè)對(duì)比及懸念，不同的點(diǎn)有不同的感受，整個(gè)路徑連起來(lái)就是一趟驚喜不斷的體驗(yàn)過(guò)程。入口處由小變大，由低變高，由暗變亮，先抑后揚(yáng)，就如東晉陶淵明的《桃花源記》：林盡水源，便得一山，山有小口，仿佛若有光。便舍船，從口入。初極狹，才通人。復(fù)行數(shù)十步，豁然開(kāi)朗……

The hotel lobby is like a powerful start to an excellent article, welcoming every guest in a warm and elegant way, and straight to the theme, slowly unfolding the hotel's water theme to every guest. The wall symbolizing the undulating water waves, the service desk in the shape of water waves, the ceiling of the lobby bar in the form of blisters, the crystal art chandeliers in the lobby symbolizing raindrops, the sofa in the shape of water drops, the lobby bar furniture with ripples of water, and the lobby bar furniture on the shore Pebbles. The interpretation of the hotel's water theme is vivid and interesting. The space path of the hotel is preset with contrast and suspense, and different points have different feelings. The connection of the whole path is a process of experience with endless surprises. The entrance changes from small to large, from low to high, from dark to bright, first suppressing and then rising, just like Tao Yuanming's Peach Blossom Land in the Eastern Jin Dynasty: if the water source is exhausted in the forest, there will be a mountain with a small mouth, as if there is light.