諾貝爾巖板展廳

項(xiàng)目：諾貝爾巖板展廳

項(xiàng)目地點(diǎn)：福建.福州.喜盈門(mén)展廳

項(xiàng)目時(shí)間：2019年

設(shè)計(jì)機(jī)構(gòu)：福州李振杰設(shè)計(jì)顧問(wèn)有限公司

燈光系統(tǒng)：君恩照明

金屬系統(tǒng)：奧勝火金屬

攝影：科比

“未知，讓我們的頭腦不斷保持活躍！我們難以受到已知事物的激發(fā)，但卻熱切地將世界變成已知?！痹谠O(shè)計(jì)初期，我們總是潛意識(shí)地構(gòu)思作品的顏色和形狀；禁不住在大腦中描繪草圖。對(duì)顏色、形狀、材質(zhì)的整合是室內(nèi)空間設(shè)計(jì)的一個(gè)重要方面；但我同時(shí)面臨著一個(gè)更重要的問(wèn)題：?jiǎn)拘延^者對(duì)材質(zhì)的感官認(rèn)知，透過(guò)空間環(huán)境的營(yíng)造而作用人的“觸覺(jué)”激發(fā)；設(shè)計(jì)意圖“撩撥”起人對(duì)材料的全方位感觸。裝修公司

"The unknown keeps our minds active! We are hardly inspired by what we know, but we eagerly make the world known."

At the beginning of the design, we always subconsciously conceived the color and shape of the work. Can't help sketching in your head. The integration of color, shape and material is an important aspect of interior space design. But at the same time, I am faced with a more important problem: arousing the viewers' sense perception of materials, and stimulating people's "touch" through the creation of space environment; Design intention "titillate" from the full range of feelings of the material.

黑、灰的基調(diào)與紅色的熱烈在色彩上以對(duì)比傳遞觸覺(jué)的模擬體驗(yàn)；凝練的線條和高度歸納的輪廓刻畫(huà)體積，在簡(jiǎn)約中迸發(fā)現(xiàn)代主義的力量；置于空間中部的樓梯借線條凝聚的軌跡營(yíng)造上升感，由實(shí)際形態(tài)的牽引在接受者頭腦中“建立”一個(gè)結(jié)構(gòu)，喚醒記憶以模仿某種感覺(jué)。裝修公司

The basic tone of black and grey is incontrast with the warm red color to convey tactile simulation experience;Concise lines and highly inductive contour delineation volume, in a simpleburst of the power of modernism; The staircase placed in the middle of thespace creates a sense of ascent through the condensed track of lines, and"establishes" a structure in the recipient's mind by the traction ofthe actual form, awakening the memory to imitate a certain feeling.

簡(jiǎn)單幾何形的嵌套，在收納、吐露后暗示了空間所具有的錯(cuò)落層次。互補(bǔ)形之間的球體，穿插著“存在”的難以捕捉。石與金屬、棱角與圓潤(rùn)、剛與柔，對(duì)比之下總能強(qiáng)調(diào)各自對(duì)人的感覺(jué)啟發(fā)。裝修公司

The nesting of simple geometry, afterreceiving, reveal the strewn at random level that space place has implied. Thespheres between the complementary forms are interspersed with the difficulty ofcapturing the "being". Stone and metal, edges and corners and round,just and soft, contrast under can always emphasize their feelings ofinspiration.