杭州萬科良渚郡西云臺(tái)合院樣板房

項(xiàng)目名稱：杭州萬科良渚郡西云臺(tái)合院樣板房

項(xiàng)目地點(diǎn)：浙江杭州

項(xiàng)目類型: 住宅

委托單位：杭州林廬房地產(chǎn)開發(fā)有限公司

設(shè)計(jì)單位：木君建筑設(shè)計(jì)咨詢（上海）有限公司

主案設(shè)計(jì)：徐伩君、橋義（Justin Bridgland）

設(shè)計(jì)團(tuán)隊(duì)：常笛、闕加成、姚亞彬、李志恒

軟裝設(shè)計(jì)：唐艷萍、曾璽錦

項(xiàng)目面積：324㎡

完工時(shí)間：2018年初

攝影師：隋思聰、光影攝影

郡西云臺(tái)位于良渚文化村中心白鶯郡西山脊海拔約43米的制高點(diǎn)，背靠五郎山，內(nèi)藏五郎山水庫，三面云山一面城。在如此秀美景色之下，郡西云臺(tái)便坐落在此，它的設(shè)計(jì)理念一脈傳承于良渚博物館“一把玉錐散落地面”，依山就勢(shì)、水物賦形。筑一方高處的佳宅，半邊是城，半邊是自然。以真質(zhì)璞無華的精神，打造這座城市精妙的山地美學(xué)別墅作品。

在遠(yuǎn)離塵囂的環(huán)境中，設(shè)計(jì)師以“自然、城市、山居生活”為概念，以生動(dòng)卻不張揚(yáng)的語言去探索與自然之間的暖昧關(guān)系。利用山地高差，全資源設(shè)計(jì) ，打造三臺(tái)庭院、露臺(tái)、陽臺(tái)。

住宅總共分為三層，根據(jù)每個(gè)空間朝向與景色的不同，為了讓日?；顒?dòng)與自然達(dá)到協(xié)調(diào)統(tǒng)一，每個(gè)空間被重新賦予了意義，使得他們能在“城市山居生活”這個(gè)核心概念中充當(dāng)著合適的角色。

主入口被重新安置在基地較高處，入戶后直接與戶外的觀景平臺(tái)相連接，這里被重新定義為家庭聚餐和觀景的核心空間。

入戶觀景臺(tái)，俯瞰城市

設(shè)計(jì)整體圍繞著“城市山居生活”的概念展開，一層核心空間功能上由中廚，西廚與就餐區(qū)組成，西廚中島的設(shè)計(jì)在空間中與中廚相互補(bǔ)充，同時(shí)為追求生活品質(zhì)感的使用者提供一個(gè)與家人互動(dòng)拉近距離的平臺(tái)。

保證視野和豪宅私密性，二層核心空間功能上設(shè)置主臥、270度陽臺(tái)和兒童房等。滿足主人的起居功能。

流線型樓梯緩緩步行而下可至標(biāo)高層空間，步入樓梯區(qū)域可以感受到一氣呵成的整體扶手設(shè)計(jì)，貫穿整體的設(shè)計(jì)，為云臺(tái)“簡(jiǎn)潔、自然”的氛圍奠定了基調(diào)。會(huì)客廳被安置在地勢(shì)較高的坡地之上，靈活的布局與可分可合的空間隔斷讓起居空間與書房被聯(lián)通起來，讓室內(nèi)活動(dòng)與戶外庭院連接起來。

材料選擇上主要遵循著與自然“襯”與“點(diǎn)”的關(guān)系，色彩采用了整體且具有豐富變化的暖灰色系，一方面柔和的色彩為家提供了素雅且溫馨的氛圍，另外色彩與質(zhì)感統(tǒng)一處理，使得室內(nèi)空間成為環(huán)境的背景，在讓自然色彩成為了空間的主導(dǎo)。

樓梯空間視線的盡頭再一處由著名建筑師Frank Loyd Wright的代表作“Fallingwater”等比縮放模型，賴特的建筑作昂充滿著天然氣息和藝術(shù)魅力，對(duì)于材料的內(nèi)在性能，包括形態(tài)、紋理、色澤、等等有著獨(dú)特的見解，在設(shè)計(jì)過程中賴特的設(shè)計(jì)理念啟發(fā)著設(shè)計(jì)師去思考設(shè)計(jì)的內(nèi)在因素，力求設(shè)計(jì)與自然的和諧共鳴。

在空間中MDO選用了Michelle McKinney的作品，群鳥自由的在云端翱翔，向著家的方向。

起居室的軟裝有著各自的故事：曲線優(yōu)雅的Ribbon Chair與平直通透的窗后空間營造出如畫一般的文人氛圍，Ribbon Chair由法國設(shè)計(jì)師Pierre Paulin設(shè)計(jì)于1966年，這件幾乎是藝術(shù)品一樣的椅子在1968年獲得了AID（工業(yè)設(shè)計(jì)協(xié)會(huì)獎(jiǎng)）的大獎(jiǎng)。經(jīng)過修復(fù)后運(yùn)到上海時(shí)椅子線條的流暢度與自然的曲線仍然能夠給收藏者留下舒適的體驗(yàn)。

Project Name:Hangzhou Vanke Liangzhu Junxi Mountain Villa Show Flat

Project Location:Hangzhou, Zhejiang, China

Project Type:Residential project

Client: Hangzhou Lin Lu Real Estate Development Co., Ltd

Design Company:More Design Office (MDO)

Website:http://moredesignoffice.com/

Design Director: Jaycee Chui, Justin Bridgland

Design Team: Di Chang, Jiacheng Que, Yabin Yao, Ziheng Li

Soft Furnishing:Tanping Tang, Xijin Zeng

Project Size:324 m2

Completion Date:Beginning of the 2018

Photographer:Sicong Sui, Liteshadow studio

Junxi Mountain Villa is located in Liangzhu village Cultural Centre, at the highest point of the West Mountain Ridge of Baiyingjun. It is set between the Wulang mountain and Wulangshan reservoir, a beautiful scenery surrounded by mountains. The concept is inspired by the nearby Liangzhu Museum by David Chipperfield, "a jade cone scattered on the ground". The show apartment offers and elevated living experience located high in its surroundings, partially surrounded bycity, and partially immersed in nature. The spirit of untouched nature is key element to create an exquisite mountain villa.

In an environment far from the busy lifestyle of the downtown city, the designer explores the ambiguous relationship of "nature, city and mountain life". Creating a truly contemporary modern home set in an idyllic landscape. The villa is organized around a series of external spaces which connect to the outside, the courtyard, the terrace and the balcony.

The house is divided into three levels, and each space is given a distinct meaning, in order to let the daily activities harmonize with nature, spaces are designed according to the views and how the sun moves around the house during the day, based on the concept of "Urban Mountain Living".

The main entrance is relocated to a higher level. In the centre is an external terrace which functions in good weather as an external living room. This space embodies the role the traditional hearth, the gathering space for the family, the space to host guests and share quality family times.

The outdoor observation terrace overlooks the city.

The first floor living and dining room is based on the concept of "Urban Mountain Living". The space on the first floor is composed of a Chinese kitchen, a western-style kitchen and the dining area. The design of the western kitchen island becomes an informal meeting point, it provides a space for daily interaction, for breakfast with family, to dinner parties with guests.

The more private functions are located on the second floor, composed by a main bedroom with a large balcony oriented to the view and a children's room.

A timber-clad curved staircase gently winds up through the villa, linking each floor with a unique move, like a painter’s stroke. It leads down to the lower level which opens out onto a large sun terrace. At this level are the family living room and study which are designed to be flexible to accommodate different configurations. Both spaces are side lit with full height glass doors which overlook the mountain scenery.

The selection of the materials includes a palette of calm and rich warm gray tones. The soft colors provide a simple, yet elegant atmosphere for the home. This minimal palette allows the interior space to frame and become a beautiful backdrop to the natural environment; simplicity enhancing the contrasts and colors of the rich landscape.

At the end of the staircase we find an isometric scale model of the “Fallingwater”, a masterpiece of Frank Lloyd Wright. Wright's architectural work is full of references to nature and man’s relationship to it, and he has unique views on the inherent properties of materials, including shape, texture, color, etc. His inspiration and lessons resonate in the philosophy underlying the whole design, pursuing harmonious relationship between design and nature.

MDO chose an artwork by the British artist Michelle McKinney. It depicts a flock of birds soaring through the clouds on their journey home. This subject is a fitting addition to the villa which offers its owners a calm home, a countryside retreat from the busy city.

The soft furnishing of the living room features the elegantly curved Ribbon Chair which the designers found in an antique store in Bangkok. The chair was designed by the French designer Pierre Paulin in 1966, and the chair won the AID (Association of Industry Design) award in 1968.

After careful restoration, the smooth lines and natural curves of the chair provide an elegant centre piece to the living room furnishing.