材質(zhì)運(yùn)用 | Material use

大理石、木飾面、布藝和金屬......

中式對(duì)稱的陳列，做現(xiàn)代簡(jiǎn)潔及材料的轉(zhuǎn)換處理。飾品，繪畫，布藝的搭配在各自空間中強(qiáng)化意蘊(yùn)的表達(dá)。

裝飾擺件兒散發(fā)著一種沉穩(wěn)的氣息，整個(gè)空間偏向冷色調(diào)，墻壁裝飾“千羽鶴”，卻賦予了空間以動(dòng)感，自然的律動(dòng)借由材料的質(zhì)感、色彩、紋理來呈現(xiàn)，對(duì)空間做了許多細(xì)致而有溫度的詮釋。

Marble, wood finishes, fabric and metal...

Chinese-style symmetrical display, modern and concise and material conversion processing. The combination of jewelry, painting and fabric enhances the expression of meaning in their respective spaces.

The decorative ornaments exude a calm atmosphere. The whole space is biased towards cool colors. The wall decoration is “Thousand Cranes”, but it gives the space a sense of movement. The natural rhythm is presented by the texture, color and texture of the material. Many meticulous and temperature interpretations.

樣板房設(shè)計(jì)

裝飾畫出處 | Decorative drawing

加山又造（Kayama Matazo）日本畫家。

繪畫勇于創(chuàng)新，洞窟壁畫、浪漫主義、超現(xiàn)實(shí)主義、表現(xiàn)主義、立體主義手法。

Kayama Matazo is a Japanese painter. 

Painting is brave in innovation, cave painting, romanticism, surrealism, expressionism, and cubism.

《千羽鶴》 |  Thousand feather crane

加山又造的著名作品《千羽鶴》在構(gòu)圖上取長(zhǎng)橫式，左右有較大的日與月的意象，背景是一種翻涌的浪紋，恍然是海浪，結(jié)合日月意象，放佛又是處于天上的銀河中，在這種朦朧的，動(dòng)蕩的漩渦暗涌的背景下，成群的鶴影有序成隊(duì)的飛行，被畫者組織得很有節(jié)奏感。在藝術(shù)手法上，增添了一些現(xiàn)代感，簡(jiǎn)明與細(xì)致結(jié)合，細(xì)謹(jǐn)而明晰。

Jiashan’s famous work “Thousand Feather Cranes” takes a long horizontal style on the composition, and there is a large image of the sun and the moon. The background is a kind of undulating wave pattern, which is like a wave, combined with the image of the sun and the moon. In the galaxy of the sky, in the background of such awkward, turbulent whirlpools, groups of cranes fly in an orderly manner, and the painters organize a rhythm. In terms of artistic techniques, it adds some modernity, concise and meticulous combination, careful and clear.

《雪月花》 & 《春秋波濤》

“Snow moon flower”  &  “Spring and Autumn Waves”

他的畫典雅、禪意、富有詩(shī)意。大氣磅礴而又細(xì)膩的裝飾性風(fēng)格，是他最無法忽視的特色。裝飾畫派的畫深刻體現(xiàn)著日本繪畫本質(zhì)的部分，其裝飾性來源于生活，以及想把自然之美長(zhǎng)留心中的愿景。裝飾性的手法，再現(xiàn)了自然界繁復(fù)、規(guī)律、重疊的生機(jī)和韻律。

His paintings are elegant, Zen, and poetic. The majestic and delicate decorative style is the most incomprehensible feature. The paintings of the decorative paintings deeply reflect the essence of Japanese painting. The decorative nature comes from life and the vision of wanting to keep the beauty of nature long. The decorative method reproduces the vitality, regularity, and overlapping vitality and rhythm of nature.

臥室 | Master bedroom

新與舊、顯與隱、氣派與精致、尊貴與質(zhì)樸融匯貫通。嶺南與古典文化搭配出適合現(xiàn)代生活需求的審美情趣。用高級(jí)灰來打造臥室背景墻，配以米色家具，再加上一副山水意境的床頭畫來裝飾，增加臥室的氛圍，簡(jiǎn)約中又帶著生活品質(zhì)的高級(jí)質(zhì)感。

New and old, obvious and hidden, style and exquisite, noble and simple. Lingnan and classical culture match the aesthetic taste suitable for modern life needs. Use high-grade gray to create the bedroom wall, with beige furniture, plus a bedside painting of landscapes to enhance the atmosphere of the bedroom, with a high quality of life quality.