項(xiàng)目名稱：“云廊”空中自習(xí)室

設(shè)計(jì)方：平介設(shè)計(jì)（蘇州平介建筑科技有限公司）

項(xiàng)目設(shè)計(jì)&完成年份：2020.11

設(shè)計(jì)團(tuán)隊(duì)：楊波、楊楠

項(xiàng)目地址：江蘇省蘇州市姑蘇區(qū)吳中大廈

建筑面積：60㎡

攝影版權(quán)：姚杰奇 

客戶：蘇州學(xué)則仕教育

“Sky Gallery” Aerial Study Room

“云廊”空中自習(xí)室選址在車水馬龍的蘇州古城區(qū)與吳中區(qū)的交界處，傍晚華燈初上的時(shí)候，檸黃色的燈光映照在高聳的寫字樓間，綿綿綠意掩映婆裟的燈影，勾勒出一方悠閑、愜意的靜謐空間。整個(gè)自習(xí)室裝修設(shè)計(jì)項(xiàng)目在視線可達(dá)的范圍之中，對(duì)整個(gè)姑蘇老城的歷史風(fēng)韻、傳統(tǒng)文脈呈俯瞰之姿。

Located at the intersection between the busy Suzhou archaic zone and Wuzhong district, when lights lit up at nightfall, sky gallery, the aerial study room as leisure and cozy space outlined by the lofty building office with lemon yellow light and whirling lamp shadow covered by endless green. In the range of sight, the project overlooks the charming history and traditional culture of the whole ancient city, Suzhou.

▼外景航拍（攝影版權(quán) 姚杰奇） 

▼aerial photo of exterior (copyright by Jieqi Yao)

Ⅰ空間布局：

Ⅰ Special Arrangement

在相對(duì)擁擠的原有空間里，“微觀造園”是云廊自習(xí)室的設(shè)計(jì)手法，引入“廊”，“園”，“亭”的概念，在舊有基礎(chǔ)上巧妙利用蘇州傳統(tǒng)的造園手法進(jìn)行空間的延伸與重構(gòu)，將其改造為開放與半開放的新型復(fù)合空間，在交錯(cuò)層疊的微景觀里得到舒緩的精神世界。

In a relatively crowded space, the sky gallery was used the “microcosmic garden construction” method to be designed. By introducing concepts of corridor, garden, and pavilion, extending and reconstituting the space on the basis of existing by skillfully using garden constructing methods of Suzhou tradition, by which transforming it into a new composite space of open and semi-open. In the interlaced microcosmic view, one could get into a spirit world with leisure. 

▼軸測圖（圖紙版權(quán)：平介設(shè)計(jì)）

▼axonometric drawing (copyright by Parallect Design)

Ⅱ入口空間：

Ⅱ Entrance Space

入口處以折角交錯(cuò)介入，提供了一種探索式的空間帶入感。同時(shí)，在入口拐角處植入景觀，伴隨使用者的視線角度的變化呈現(xiàn)不同的形態(tài)，使得空間更具節(jié)奏與韻律。自習(xí)室裝修設(shè)計(jì)的主通道也采用開敞式的流線型走向，解決了擁擠狹小空間不夠流通的狀況。從室外步入室內(nèi)的過程，人的情緒也逐漸從喧鬧過渡到舒緩，直到整個(gè)復(fù)合型空間完全呈現(xiàn)在眼前。

The entrance is interleaved in by a corner, which offered an exploratory sense of space access. Meanwhile, the landscape that was implanted in the corner of the entrance shows various morphologies with the change of the user’s view, giving the space more rhythm and rhyme. The main path to the study room used the open streamlined alignment to solve the crowded situation that the space is too small to move. On the way from the outdoor to the indoor, the emotion could be gradually transformed from noisy to relief, until the composite space is wholly shown in front of the eyes.

▼平面布置圖（圖紙版權(quán)：平介設(shè)計(jì)）

▼floor plan (copyright by Parallect Design)

▼入口曲徑通幽，進(jìn)入公共自習(xí)區(qū)則豁然開朗（攝影版權(quán) 姚杰奇）

▼The winding entrance leads to an open and clear space of public study room. (copyright by Jieqi Yao)

▼不同視角的景觀形態(tài)（攝影版權(quán) 姚杰奇）

▼landscape morphology from different view (copyright by Jieqi Yao)

Ⅲ 空間與材質(zhì)的流動(dòng)性：

Ⅲ Liquidity of Space and Materials

空間內(nèi)部利用輕質(zhì)網(wǎng)狀金屬吊頂與連續(xù)秩序的鋼架重塑游廊的意境，使大空間分割為不同尺度與功能的區(qū)域，但視線的阻礙并沒有割裂空間的連續(xù)性，整個(gè)自習(xí)室裝修設(shè)計(jì)空間始終處于一種動(dòng)靜結(jié)合的平衡之中。

The interior space used a mesh metal ceiling in light quality and continuous ordered steel frame to reconstruct the artistic conception of the veranda, which divided the large space into areas with different sizes and functions. However, the impediment of sight didn’t segment the continuity of space. The whole space is always in a balance of dynamic and static combination. 

▼游廊意境（攝影版權(quán) 姚杰奇）

▼artistic conception of veranda (copyright by Jieqi Yao)

▼延伸的空間（攝影版權(quán) 姚杰奇）

▼the extending of space (copyright by Jieqi Yao)

空間與一層挑空空間銜接處，置入連續(xù)曲折的白色墻體，保證安全性，同時(shí)，墻體局部嵌入連續(xù)，可視化的窗洞，將空間內(nèi)外的關(guān)系聯(lián)通，引入室外的窗景，隨著使用者行走的路徑變化而偶然出現(xiàn)的綠色植物再次增強(qiáng)了空間的動(dòng)態(tài)，移步易景，仿似游園。

The continuous and tortuous white wall was placed into the junction between the space and the void, which ensuring safety. Meanwhile, part of the wall was embedded with continuous and visible window, which link the interior space with the exterior space and bring in the outdoor scenery. With the change of users’ walking path, occasionally shown green plants reinforce the dynamic of the space again. The scenery changes with walks seem like a garden tour.  

▼置入的墻體與窗景（攝影版權(quán) 姚杰奇）

▼embedded wall and windows scenery (copyright by Jieqi Yao)

▼移步易景，仿似游園（攝影版權(quán) 姚杰奇）

▼The scenery changes with walks seems like a garden tour. (copyright by Jieqi Yao)

項(xiàng)目沒有選用繁縟的修飾和貴重的材料，僅在尋找空間的地理屬性和自身的現(xiàn)狀，再加以適合的材料去回應(yīng)傳統(tǒng)建筑的營造手法，為空間探索一種新的可能性。最終在材料選擇上也一直緊跟超現(xiàn)實(shí)的現(xiàn)代復(fù)古語言，極為克制的回應(yīng)當(dāng)下的商業(yè)氛圍。

The project didn’t use complex decorations or expensive materials, just explored a new possibility only by searching the locational attribute and own situation, plus the suitable materials to respond to the construction method of traditional architecture. Finally, in the selection of material, the project kept closely with the modern retro language and responded to the business environment with extreme restrain.

▼材料的空間營造①（攝影版權(quán) 姚杰奇）

▼space construction by materials ① (copyright by Jieqi Yao)

▼材料的空間營造②（攝影版權(quán) 姚杰奇）

▼space construction by materials ② (copyright by Jieqi Yao)

Ⅳ逃離現(xiàn)實(shí)的沉浸體驗(yàn)：

Ⅳ Immersive Experience of Escaping from Reality

在這里，人們可以短暫逃離繁忙都市的現(xiàn)實(shí)，猶如置身于寧靜的自然花園，在緊張的工作中使身心得到放松，從而提高學(xué)習(xí)效率。精巧構(gòu)思的曲線性的工作臺(tái)與直線性的走廊空間形成對(duì)比，連續(xù)的曲線界面將辦內(nèi)部空間分割成不同的區(qū)域，使人產(chǎn)生不同的過渡體驗(yàn)；鋪設(shè)在桌椅下的綠色鋪裝好似置身草地氛圍；穿插于工作臺(tái)之間的相對(duì)低矮的蕨類等小型植物既能讓客戶感知自然，功能上又可切實(shí)地改善室內(nèi)微氣候與環(huán)境，自習(xí)室裝修設(shè)計(jì)使每一個(gè)角落都能被綠色充滿；半通透式白色沖孔板圍而不合，模糊了空間的邊界，于是墻體的堅(jiān)實(shí)感被消解，改變空間分割呆板的印象。純粹、自然、輕盈是整個(gè)空間遵循的主題，在喧鬧的姑蘇街景映襯下，它仿佛是靜止的，成為都市中一道亮麗的風(fēng)景線。借窗外市井的生活，不同場景的引入讓每一個(gè)自習(xí)角落都不盡相同，或綠或白讓每一個(gè)客戶都有一個(gè)專屬于他自身的棲身之所。

Here, people could briefly leave away from the busy reality in the city. It makes people feel like in a quite natural garden. Either body or emotion could get relaxed from the busy work so that enhancing the study efficiency. The well-constructed curved workbench in contrast with the linear corridor space. The continuous curved interface divides the interior office space into different areas, making different transition experience. The green mat under the desks and chairs makes people feel like in the meadow. The small plants that relatively low such as ferns which intersperse across the workbenches could not only make users feel nature but also practically improve the indoor microclimate and environment in function. These plants make every area full of green. The semitransparent white punched plates surround the space without closing, which blurs the border of space. Therefore, the solidity of the wall is vanished, which changing the stiff impression of space division. Purity, nature, and lightness are topics that the whole space following. By the contrast made by the busy streets of Gusu, the space seems static and becomes a beautiful scenery of the city. The introduction of different sceneries of normal life outside the window makes each corner of the study room different. No matter green or white, it makes each user have an exclusive location to stay.