空間寂

設(shè)計師：虞國綸

設(shè)計公司：格綸設(shè)計

風(fēng)格：混搭風(fēng)格

面積：60平

房屋材料：灰鏡、LED、杉木板、烤漆鐵件、大理石

設(shè)計說明：

東方精神

利用中國唐代明顯的木結(jié)構(gòu)建筑特征，沿軸線展開空間序列，包括梁柱、墻、門窗以單體立面的方式，層次并列引申裝飾的意趣。

傾注日本江戶時代庭院式的建筑概念，由靜、寂的文化層面，得以放緩、沉淀心靈，靜謐的光氛，輕巧的自格柵間流瀉開來，引申、創(chuàng)新餐食空間的新觀點(diǎn)。
場所文化

挹注人文，滿足多元內(nèi)在構(gòu)造及營運(yùn)目的。

從人的活動與場域設(shè)計的關(guān)系里，運(yùn)用媒材、光氛的特性，反復(fù)探究空間純樸的本質(zhì)涵養(yǎng)，這些滿載靈感的主題，替空間注入流動、鮮活的躍動感，回應(yīng)、結(jié)合內(nèi)外互動，順創(chuàng)造出具有安定、內(nèi)斂創(chuàng)造力的場所文化。

新舊元素的薈萃

天然媒材的肌理映襯著藍(lán)色光線，自線面間延伸、穿透，薈萃、融合當(dāng)代建筑里的利落時尚與江戶時代中的洄游式庭園風(fēng)格，以重視細(xì)節(jié)的態(tài)度，新與舊之間和諧交融，對應(yīng)成趣。

天花利用弧線，隱喻流動意象，與垂直線條、圓形光氛形成對比表情，優(yōu)雅的解釋餐食環(huán)境的脫俗的質(zhì)韻，釀制寧靜、優(yōu)雅、樸質(zhì)具人文的詩性向度。

原創(chuàng) 概念

薈萃融合

以原創(chuàng)、新生創(chuàng)意成為設(shè)計主軸的發(fā)想延伸，融合、薈萃新舊語匯建構(gòu)具象表情。

將自由的意趣，隨著光影漫射，促成空間架構(gòu)序列，形意之間，猶見輕盈的律動。

Oriental Spirit

Employing wooden structural features suggestive of the Tang Dynasty along a central axis that unfolds sequentially incorporating post and beam construction, walls, doors and windows having layered facades with linear juxtaposition to extend the decorative charm.

Add to this an Edo era courtyard structural style to create a tranquil sanctuary having deeply soothing cultural overtones with deft evocation of spatial divisions that stretches the new concepts in innovative dining spaces.

Culture

Putting resources into culture to satisfying various interior architectural and operational objectives.

Basis the relationship of activity with locale in the design in combination with the thorough investigation of the essential essence of the unrefined interior space through the use of media and lighting, these designs fully fulfill the spirit of the topic by bringing dynamic flow into the space that bursts with fresh and lively dynamism and by being responsive to the linkage of the interior with the exterior to smoothly create a stable and reserved innovative locational culture.

Mix

Natural media textures offset by blue lighting extend, penetrate, concentrate and the lines between surfaces, smoothly fusing stylish contemporary architecture with the meandering serenity of an Edo era garden. By way of this detail-oriented attitude, new and old are harmoniously combined with each successfully imbuing the other with interest.

Natural flowers form an arc alluding to an imagery of cycles while perpendicular lines within a haze of round lights form an expression of contrast, elegantly delineating the unfettered essence of the dining area and steeping it in graceful tranquility with an air of poetic refinement.

Original Concept

Through originality, regenerative creativity becomes the central means for transmitting a design's extended and integrated collective vocabulary for the expression of new and old constructs. Free association that flows from the the unrestrained play of light and shadow, facilitates the sequence of space and structure within form and concept, to evoke a sense of transcendent rhythm